| |
Artist Name: Publius Vergilius Maro
Years: from 70 to 19
History Period: Neo-Classicism
Biography:
Virgil was born in the village of Andes, near Mantua in Cisalpine Gaul (Gaul south of the Alps; present-day northern Italy). Virgil is of non-Roman Italian ancestry, which he alluded to and defended in the Aeneid when he said that Rome will be of mixed blood.
[edit]
Early works
Virgil received his earliest education at five years old. He later went to Rome to study rhetoric, medicine, and astronomy, which he soon abandoned for philosophy. In this period, while Virgil was in the school of Siro the Epicurean, he began writing poetry. A group of minor poems attributed to the youthful Virgil survive, but are largely considered spurious. One, the Catalepton, consists of fourteen short poems, some of which may be Virgil's, and another, a short narrative poem titled the Culex (the mosquito), was attributed to Virgil as early as the 1st century AD. These dubious poems are sometimes referred to as the Appendix Vergiliana.
In 42 BC, after the defeat of Julius Caesar's assassins, Brutus and Cassius, the demobilized soldiers of the victors settled on expropriated land and Virgil's estate near Mantua was confiscated. However, the first of the Eclogues, written around 42 BC, is taken as evidence that Octavian restored the estate, for it tells how "Tityrus" recovered his land through Octavian's intervention, and "Tityrus" is usually identified as Virgil himself.
Virgil soon became part of the circle of Maecenas, Octavian's capable agent d'affaires who sought to counter sympathy for Mark Antony among the leading families by rallying Roman literary figures to Octavian's side. After the Eclogues were completed, Virgil spent the years 37 BC–29 BC on the Georgics ("On Farming"), which was written in honor of Maecenas, and is the source of the expression tempus fugit ("time flees").
However, Octavian, who had defeated Antony at the Battle of Actium in 31 BC and two years later had the title "Augustus" given to him by the Roman Senate, was already pressing Virgil to write an epic to praise his regime.
[edit]
Composition of the Aeneid and death
Virgil responded with the Aeneid, which took up his last ten years. The first six books of the epic tell how the Trojan hero Aeneas escapes from the sack of Troy and makes his way to Italy. On the voyage, a storm drives him to the coast of Carthage, where the queen, Dido, welcomes him, and before long Aeneas falls deeply in love. But Jupiter recalls Aeneas to his duty and he slips away from Carthage, leaving Dido to commit suicide, who curses Aeneas as revenge. On reaching Cumae, in Italy, Aeneas consults the Cumaean Sibyl, who conducts him through the Underworld and reveals his destiny to him. Aeneas is reborn as the creator of Imperial Rome.
The first six books (of "first writing") are modeled on Homer's Odyssey, but the last six are the Roman answer to the Iliad. Aeneas is betrothed to Lavinia, daughter of King Latinus, but Lavinia had already been promised to Turnus, the king of the Rutulians, who is roused to war by the Fury Allecto. The Aeneid ends with a single combat between Aeneas and Turnus, whom Aeneas defeats and kills, spurning his plea for mercy.
Virgil travelled with Augustus to Greece. There, Virgil caught a fever, which he died of in Brundisium harbor, leaving the Aeneid unfinished. Augustus ordered Virgil's literary executors, Lucius Varius Rufus and Plotius Tucca, to disregard Virgil's own wish that the poem be destroyed and to publish it with as few editorial changes as possible. As a result, the text of the Aeneid that exists is a draft version, and contains faults which Virgil was planning to correct before publication:
Verses which are not a complete line of dactylic hexameter.
Future tenses made by adding -s-, such as faxo for faciam. This form is not valid Latin, but is common in Greek and in Osco-Umbrian; it could be that Virgil could speak Osco-Umbrian, at least well enough to communicate with his farm workers.
Incomplete or not, the Aeneid was immediately recognized as a masterpiece. It proclaimed the imperial mission of the Roman Empire, but at the same time could pity Rome's victims and feel their grief. Dido and Turnus, who are both casualties of Rome's destiny, are more attractive figures than Aeneas, whose single-minded devotion to his goal may seem almost repellent to the modern reader. However, at the time Aeneas was considered to exemplify virtue and pietas (roughly translated as piety), duty to one's gods, family and homeland. However, Aeneas struggles between doing what he wants to do as a man, and doing what he must as a virtuous hero. Aeneas' inner turmoil and shortcomings make him a more realistic character than the heroes of older poems, such as Odysseus.
[edit]
Later views of Virgil
Even as the Roman world collapsed, literate men acknowledged that the Christianized Virgil was a master poet, even when they ceased to read him. Gregory of Tours read Virgil and some other Latin poets, though he cautions us that "We ought not to relate their lying fables, lest we fall under sentence of eternal death." Surviving medieval collections of manuscripts containing Virgil's works include the Vergilius Augusteus, the Vergilius Vaticanus and the Vergilius Romanus.
Dante made Virgil his guide to Hell and Purgatory in The Divine Comedy. Vergil is also the name of a video game character in the Devil May Cry series, which are based loosely on the Divine Comedy.
Virgil is still considered one of the greatest of the Latin poets, and the Aeneid is a fixture of most classical studies programs.
[edit]
Mysticism and hidden meanings
A 5th century portrait of Virgil from the Vergilius Romanus.In the Middle Ages, Virgil was considered a herald of Christianity for his Eclogue 4 verses (PP Ecl.4) concerning the birth of a boy, which were re-read to prophesy Jesus' nativity. The poem may actually refer to the pregnancy of Octavian's wife Scribonia, who in fact gave birth to a girl.
Also during the Middle Ages, as Virgil developed into a kind of magus or wizard, manuscripts of the Aeneid were used for divinatory bibliomancy, the Sortes Virgilianae, in which a line would be selected at random and interpreted in the context of a current situation (Compare the ancient Chinese I Ching). The Old Testament was sometimes used for similar arcane purposes. Even in the Welsh myth of Taliesin, the goddess Cerridwen is reading from the "Book of Pheryllt"—that is, Virgil.
More recently, professor Jean-Yves Maleuvre has proposed that Virgil wrote the Aeneid using a "double writing" system, in which the first, superficial writing was intended for national audience and Augustus' needs, while the second one, deeper and hidden, unnoticed before Maleuvre discovered it, reflected Virgil's true point of view and his true historical reconstruction of the past. Maleuvre also believes that Augustus had Virgil murdered. Maleuvre's ideas have not met with general acceptance.
[edit]
Virgil's tomb
The tomb known as "Virgil's tomb" is found at the entrance of Posilippo Cave (also known as "grotta vecchia") in the Parco di Virgilio a Piedigrotta, located in the Piedigrotta district two miles from old Naples, on the road heading north along the coast to Pozzuoli. The site called Parco Virgiliano is some distance further north along the coast. While Virgil was already the object of literary admiration and veneration before his death, in the following centuries his name became associated with miraculous powers, his tomb the destination of pilgrimages and pagan veneration. The poet himself was said to have created the cave with the fierce power of his intense gaze.
It is said that the Chiesa della Santa Maria di Piedigrotta was erected by Church authorities to neutralize this pagan adoration and "Christianize" the site. The tomb, however, is a tourist attraction, and still sports a tripod burner originally dedicated to Apollo, bearing witness to the continued allure of hinted dark powers and bizarre mysteries.
[edit]
Virgil's name in English
In the Middle Ages "Vergilius" was frequently spelled "Virgilius." There are two explanations commonly given for the alteration in the spelling of Virgil's name. One explanation is based on a false etymology associated with the word virgo (maiden in Latin) due to Virgil's excessively "maiden"-like (parthenias or παρθηνιας in Greek) modesty. Alternatively, some argue that "Vergilius" was altered to "Virgilius" by analogy with the Latin virga (wand) due to the magical or prophetic powers attributed to Virgil in the Middle Ages.
In Norman schools (following the French practice), the habit was to anglicize Latin names by dropping their Latin endings, hence "Virgil."
In the 19th century, some German-trained classicists in the United States suggested modification to "Vergil," as it is closer to his original name, and is also the traditional German spelling. Modern usage permits both, though the Oxford Style Manual recommends Vergilius to avoid confusion with the 8th-century Irish grammarian Virgilius Maro Grammaticus.
Some post-Renaissance writers liked to affect the sobriquet "The Swan of Mantua."
|
